One of the most innovative designers of his generation, McQueen was celebrated for his extraordinary creative talent. He combined a profound grasp of tailoring and eclectic range of influences with a relentless pursuit to challenge the boundaries of art and fashion, blending the latest technology with traditional craftsmanship.
Originated by the Costume Institute at the Metropolitan Museum of Art in New York, Savage Beauty will be edited and expanded for the V&A’s large exhibition galleries. It will feature 30 additional garments, including some rare early pieces, lent by private individuals and collectors such as Katy England and Annabelle Neilson
as well as pieces from the Isabella Blow Collection and the House of Givenchy.
A new section will be added to the exhibition, focusing on McQueen’s fledgling development as a designer in London. Other new garments that will be displayed include a red ballet dress from The Girl Who Lived in the Tree (A/W 2008-9) and a white feathered dress from The Horn of Plenty (A/W 2009-10).
Gainsbury and Whiting, the production company that collaborated with Alexander McQueen in staging his catwalk shows are working with the V&A on the exhibition. Each section will capture the essence of the provocative, dramatic and extravagant catwalk presentations that McQueen became renowned for, combining storytelling, theatrical performance, music and film. For example the spectacular moment where Kate Moss appeared in a gown of rippling organza as a holographic 3D image will be shown near life size as it was for the finale of the Widows of Culloden (A/W 2006-7) catwalk show.
Another key moment of the exhibition that has been expanded at the V&A is the Cabinet of Curiosities, which will showcase designs produced by McQueen in collaboration with fellow creatives such as the jeweller Shaun Leane and milliner Philip Treacy. Presented in a double-height gallery, interspersed with film footage of nearly all of McQueen’s catwalk shows, it will display around 40 additional objects that have not previously been seen together. These include a sequin top overprinted with a haunting image of the Russian Romanov children (Joan, A/W 1998-9); an embellished matador’s jacket (The Dance of the Twisted Bull, S/S 2002) and a black horned headpiece designed for Givenchy (S/S 1997).
In total, the exhibition will showcase more than 200 ensembles and accessories, the largest number of individual pieces designed by McQueen and collaborators ever seen together. They range from McQueen’s Central Saint Martins’ postgraduate collection of 1992 to his final designs for A/W 2010, completed after his death, and are drawn primarily from the Alexander McQueen archive in London.
The thematic presentation of the exhibition will interrogate ideas and concepts central to McQueen’s work, including: subversive tailoring; Gothic sensibility and the interplay between darkness and light; primitivism and the animal world; heritage and ancestry; nature and the natural world; and technology and handcraft.
The V&A was one of the first museums to show McQueen’s work in 1997 in the exhibition Cutting Edge: 50 Years of British Fashion 1947-1997. He was also represented in the Fashion in Motion series in 1999 and with Shaun Leane in 2001, and was one of 11 designers represented in the exhibition Radical Fashion in 2001 which showcased works from his Voss collection (S/S 2001).
Martin Roth, Director of the V&A, said: “I am thrilled that this magnificent show is coming to London and feel passionately that the V&A is its natural home. Lee Alexander McQueen presented his work here during his lifetime and studied the Museum’s wide-ranging public collections of tailoring, painting, art, photography and books as inspiration for his visionary designs, yet remained vigorously anti-establishment and a true provocateur.”
Sarah Burton, Creative Director Alexander McQueen, said: “Savage Beauty is a celebration of the most imaginative and talented designer of our time. Lee was a genius and a true visionary who pushed boundaries, challenged and inspired. He believed in creativity and innovation and his talent was limitless.”
The V&A’s presentation of the exhibition is being made possible with the cooperation of Alexander McQueen and will be in partnership with Swarovski, and supported by American Express.
Nadja Swarovski, Member of the Swarovski Executive Board, said: “We are honoured to support this landmark exhibition celebrating the creative genius of Alexander McQueen at one of our most distinguished cultural institutions. We were privileged to collaborate creatively with McQueen since 1998 in both fashion and design, and Savage Beauty is an eloquent tribute to the scale of his talent and to his limitless imagination, which conjured looks that were sometimes wild and challenging, but always exquisitely crafted, and always beautiful.”
Top Image - Duck feather dress by Alexander McQueen from The Horn of Plenty, A/W 2009-10 (Credit line: Victoria and Albert Museum, London. Model: Magdalena Frackowiak. Image: firstVIEW)
Below - Jacket by Alexander McQueen by It's a Jungle out there, A/W 1997-8 (Credit line: Victoria and Albert Museum, London.Image: firstVIEW)
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